Friday, January 29, 2010

DOLLHOUSE "Epitaph 2"

This was the worst ending to a show I've ever seen. I feel like I missed something. Now, i didn't miss the first 9 minutes of the show as my DVR screwed up. But I just have no idea what was happening there. I feel like i wasted so much of my life watching the few episodes that did air.

This series went all over the world and back again. As an independent producer trying to find my way in this business, it angers me that someone could get this junk on the air and even a second season, no matter how short, when I know I have better taste than what was just on the television.

It sickens me. But doesn't keep me from going after my goal.


FOX
Friday, Jan. 29, 2010
8:00 PM PST

Wednesday, January 27, 2010

LEVERAGE "The Zanzibar Marketplace Job"

Directed by Jeremiah Chechick, this episode was like watching LOCK, STOCK AND TWO SMOKING BARRELS. The first shot that Elliot takes and they do the stop motion where you can see the spit flying out of James Sterling's mouth.

This is finally a good episode without Sophie.

Everyone was well used, and the writing was funny. Parker was great exchanging the bomb for the egg. Hardison was funny and smart, and Eliot was right on, from fighting to running the team at the end. Still think Jeri Ryan's best role for her was Seven of Nine, but she's growing on me.

Digressing... One show I miss more than I thought I would is LIE TO ME. When is that show coming back on?


TNT
Wednesday, Jan. 27, 2010
10:00 PM PST

WHITE COLLAR "Bad Judgement"

I liked a few things about this episode. Willie Garson was used a lot more. I liked how he and Tiffani Thiessen (Elizabeth) became friendly enough to call each other by shortened versions of their names, thereby causing Peter to be a little concerned.

But the story with the judge on the take was a little contrived and seemed too easy. I also had one of my biggest pet peeves happen... It's called continuity. When the ex-cop pays for the coffee in the diner, he puts down four dollars and seventy-six cents, which is what Neal said. But when they pan to the money, there's no penny in the mix. Neal even pushes it around so you can see what's under what. I HATE THAT! It's like an episode i saw of a show before I started doing this blog when a girl wasn't wearing her coat when you saw her talking but when the camera was facing the other person they cut to, which she was speak to, you could plainly see she had a coat on that she had previously taken off. Makes me crazy.

I know shows are filled with people and incredibly hard to make and put out each week, but that's why there is a person on the set responsible for continuity. Just get it together with bot the story and the obvious mistakes and maybe I'll be nicer later.


USA NETWORK
Tuesday, Jan. 26, 2010
10:00 PM PST

HUMAN TARGET "Embassy Row"

I really liked Jackie Earle Haley in this episode. When he walked away from the phone conversation before they could even ask him to go find out where they could have gotten poisoned, was funny. He never says more than what's necessary and must be pretty bad ass to scare people so easily.

I like Mark Valley and I like the idea of the show, but I'm scared they are trying to be too much of a moment in Die Hard to be a show telling me more about the characters and what their backgrounds are. But I guess that's the intended mystery of the show. Hopefully they will fill in more of the blanks as time goes on.


FOX
Tuesday, Jan. 26, 2010
9:00 PM PST

Monday, January 25, 2010

CASTLE "The Third Man"

See... That's what I'm talking about. Tonight, Alexis had more to do in this episode and their interaction was hysterical. I also laughed out loud when Beckett found out about the article in the paper saying that she and Castle could possibly be an item. I like how she got a little upset when he told her about bachelorette number three being interested in him. I hate when they take forever for the leads to learn to like each other. Maybe this will happen faster.

Then when Castle and Beckett are at the same location for dinner, they both keep talking about their case and can't seem to stay away from each other, converging in the lobby multiple times to discuss theories and talk to the guys at the office.

Esposito was particularly funny tonight also, when he was tempting Castle with showing the newspaper article.


ABC
Monday, Jan. 25, 2010
10:00 PM PST

Sunday, January 24, 2010

EMMA "Part 1 of 3"

I'm a huge fan of Jane Austen. Although Persuasion is probably my favorite, Emma is a very close second. This version is nice because it's a little more involved than a two hour movie version would be. I am in anticipation of some of my favorite parts of the story which ill probably not air in this part.

I like the acting of Romola Garai and Johnny Lee Miller. Michael Gambon can read the newspaper and I would think he was good.

Jane Austen stories are the best to be translated to film or television. I'm looking forward to the other installments.


KCET
Sunday, Jan. 24, 2010
9:00 PM - 11:00 PM PST

Wednesday, January 20, 2010

NEW ADVENTURES OF OLD CHRISTINE "Truth or Dare"

This episode was really funny. I love Julia Louis-Dreyfus with Blair Underwood. I love how Christine takes anything from Mr. Harris because he's supposedly so hot. How her brother, ex-husband and even her new boyfriend think Mr. Harris is beautiful.

I loved Max's (Eric McCormack) response when Matthew shows him Mr. Harris' picture on the screensaver of his phone and tells Max that Mr. Harris broke up with Christine and she was devastated when it happened. My favorite line, "Once you go Mr. Harris, you never go back."

It was so funny when Wanda Sykes said Christine would do anything on a dare and they all sat around thinking he was a fool for letting her go on a date with Mr. Harris.

When this show is on, it's brilliant. My favorite was the episode when she thought she was going through Menopause. I swear I laughed so hard I cried. If my Tivo hadn't have broken, I would still have that episode to watch over and over again.


CBS
Wednesday, Jan. 20, 2010
8:00 PM PST

CHUCK "Chuck vs. Operation Awesome"

In my effort to watch things that I don't normally watch or expand my horizons in general, I've watched the last three episodes of CHUCK and am still not drawn in. I'm sure they've created the show this way on purpose, but everyone is so over the top except for Sarah. They are all like caricatures.

I'm giving the show one more episode, but if someone loves this show, please tell me what I'm missing.


NBC
Monday, Jan. 18, 2010
8:00 PM PST

Tuesday, January 19, 2010

WHITE COLLAR "Hard Sell"

I like this show a lot, despite the fact that I've never been a fan of Matthew Bomer. I've watched him since he was the Ben Reade, Fletcher Reade's adopted son on GUIDING LIGHTt, where he was a male prostitute after blowing his trust fund, then went crazy and kidnapped his ex-girlfriend only to commit suicide in front of her. Then he went to TRU CALLING, TRAVELER and CHUCK, which I've never seen him on. I believe I heard through the grapevine that he was in the running for SUPERMAN RETURNS which was equally as horribly played by BRANDON ROUTH, who funnily enough, is now on CHUCK in a recurring role.

Don't get me wrong, I think this show fits Matthew Bomber in a lot of ways, I just believe it's really good despite the fact that he's on it. I don't know, maybe he'll grow on me. I don't hate his acting, I just don't think there's anything about him that's spectacular. I don't find him sexy. I don't know if its the character or what, but he comes off a little asexual to me.

The best thing about this show is the writing. The lines are genius. I loved the lines in this episode, especially when Neal says "F.B.I.'s been watching Thunderball," when they give Neal a small oxygen unit that they fit into a cigar holder. Maybe it's because I'm a big James Bond fan, but I thought it was really funny.

I'm glad, it turns out, that Peter isn't working against Neal.


USA NETWORK
Tuesday, Jan. 19, 2010
10:00 PM PST

Monday, January 18, 2010

CASTLE "Sucker Punch"

I love this show. Castle tries to butch it up as Beckett suggests and he immediately chokes on a pickled egg. I had to watch it over and over again. The writers are brilliant in how they can take a serious situation and make it funny.

I've always been intrigued by Beckett's mother being murdered and her dramatic reaction to Castle trying to help her find the truth last season. They have gotten closer with this episode, but they guy who actually did the killing came across a bit young to me. They are also using much, much less of Susan Sullivan and Molly C. Quinn. I'm not sure I like that. I like them showing Castle's home life, his relationships with his mother and daughter. I mean, Molly didn't even have a line in this episode. She was seen and not heard.

I hope they go back using them a bit more in the future.


ABC
Monday, Jan. 18, 2010
10:00 PM PST

24 "Day 8: 6:00 PM-8:00 PM"

Okay, I don't mean to be critical, but what's with the way Mykelti Williamson's posture? Is that something he does on purpose or is he hunched over due to years of bad posture. It's distracting to me watching the character.

This episode moved quickly. We already know that the President's brother is involved. I like it when the series moves so quickly and diverts to other stories within one season.

Wow... I remember when Renee was all by the book and couldn't see the graying of the lines. She's now seeing all the colors of the spectrum and gone around the bend.

Anil Kapoor, from SLUMDOG MILLIONAIRE, is doing a great job as President Omar Hassan. I can believe he's conflicted by his position and what he really wants in life. I also hope they explain why his wife is such a cold Bitch. The daughter seems to believe it's the mother's fault. I'm sure she's aware by now that he's having affairs, but what lead up to this?


FOX
Monday, Jan. 18, 2010
8:00 PM - 10:00 PM PST

Sunday, January 17, 2010

24 "Day 8: 4:00 PM-6:00 PM"

I've said this before and I will say it again. Why is it that every CTU director thinks he knows more than Jack Bauer? How many situations has Jack Bauer been in where he's either saved the President or the United States from some threat that everyone else thought wasn't important, insignificant or just flat out wrong? It boggles my mind that the powers that be on this series don't figure out a better way for Jack to get involved. Maybe recruiting him because of something they can't handle, but just flat out not believing him is getting stale so quickly.

I liked the President last season. She made hard but smart decisions. This time around she's being stupid and at a very expensive risk. I know there's no bio chemical ready to be exposed on American soil, but this is just as important. When you are dealing with honesty, you have to be honest. And holding something so important back isn't being honest.

Why is it that CTU hasn't figured out a way to vet their employees well enough not to have major? There's always someone inside who has a wacky background or is part of the plot against the establishment.

Don't get me wrong, I love this show more than I could even tell you, but I hate it when shows treat the viewing public as if we are too dumb to get it and they have to fall back on the same little tricks to get us involved every season. Especially on a show like this.


FOX
Sunday, Jan. 17, 2010
9:00 PM - 11:00 PM PST

GOLDEN GLOBES

I don't generally watch awards shows because I think of them as popularity contests. It's like being in High School and the Jocks and the Cheerleaders are the people everyone will vote for because they are scared not to. But the Globe's I have a little interest in because it's voted on by the most judgmental group of all... The Hollywood Foreign press. Who said, those who can't do....?

I was happy to see that Mo'Nique won and was gracious and beautiful in her speech. I was happy to see that Michael C. Hall won for DEXTER. Long over due in my opinion. I used to be one of his agent and think he his one of the nicest and most sincere people you will ever meet. Excited for Glee, as it's one of my favorite shows on the air. Every week I'm amazed at the song selections, the talent of the actors, how much I enjoy every minute of the show and no matter how I'm feeling, my mood is lifted by watching it.

Everything else was okay. I don't care about the clothes (sacrilege as I'm a woman, I know), I think the price tag on the show could feed a small country or pay for school books or arts programs, teachers' salaries or anything else that's more important than rich people patting themselves on the back.

I'm sure my words will come back to bite me on day as I'm in this buisness, but in this case I don't care. I think we spend too much money glorifying celebrities when there are those who are in the trenches and/or risking their lives. I can only give it so much credence.

Congrats to those who won, now lets take care of those in Haiti, in America without jobs or anyone struggling in any way.


NBC
Sunday, Jan 17, 2010
5:00 PM - 8:00 PM live PST
8:00 PM - 11:00 PM PST (repeat)

HUMAN TARGET "Pilot"

Let me start by saying I've had a crush on Mark Valley since he was on ONCE AND AGAIN. Very sad that he went off and got married before meeting me, but I digress. I was excited to see him on FRINGE, then sad to see him go so quickly. I'm so excited that he has his own show.

The first five minutes I was screaming my head off at the television screen at how much I loved what I was seeing. Mark Valley is smart, funny, hot and hard hitting. LOVE IT, LOVE IT!

What more can you ask for? Cute guy, funny, smart and quick dialogue and lots of action, fighting and explosions. That's what I like to see.

Love Carmine the dog. so cute. I desperately want a dog. And aside from a Lab, the Rottweiler is my favorite dog. So expressive.

I also love the fact that Jackie Earle Haley is on the show. I am in my, so-called, second career later in life and I like that he's been able to have a second wind in this business. I believe it's never too late to do exactly what you want. You just have to keep going for it and he's had an incredible second life in this business.

Okay, who's friends with Danny Glover to get him to do the cameo at the end of the pilot? So much fun.

Can I say love any more?

FOX
Sunday, Jan. 17, 2010
8:00 PM PST

Saturday, January 16, 2010

DOLLHOUSE "The Hollow Man"

I seriously don't know what to say. This show has gone from an elite prostitution ring to a corporate global conspiracy to the end of civilization in Terminator style.

I don't think anyone working on this series knew what this show was supposed to be about. As far as I can tell there's no cohesion at all. It's as schizophrenic as anything I've ever seen. I'm almost anticipating the finale for two reason: the craziness will be over and to see how far from the original episode the show can go.

Just crazy.


FOX
Friday, Jan. 15, 2010
9:00 PM PST

MEDIUM "Dear Dad"

The show has previously explored D.A. Devalos' family life and his daughter's suicide. But this episode was extremely poignant, finding out why his was so depressed and how her life had changed from one tragic event caused by someone with no moral compass. How years later that persons self righteousness leads him to believe that the suffering he endured was more important than the suffering he caused. I don't have children and couldn't imagine the idea that your child is in such despair that they can't tell you about it and the only way they see out of it is self inflicted death.

I loved it when she used the abilities of Allison's family to keep this person from hurting her father and finally getting her message to her mother. The idea that someone's love, even from the grave, could save you was powerful.

This show has done very well on this network and this time slot. It's just a shame that NBC can't reap the rewards of a really interesting and thoughtful show because they were more interested in the bottom line, which didn't even work. I guess if it had, they would have been laughing all the way to the bank. Instead they are probably going to ruin the lives and livelihoods of many people who moved their families from across the country.

But I digress and this isn't a forum to bash a network and their decisions. It's just, as usual, my opinion.


CBS
Friday, Jan. 15, 2010
9:00 PM PST

Thursday, January 14, 2010

THE MENTALIST "Rose-Colored Glasses"

I have to say, I don't particularly care for the budding relationship between Van Pelt and Rigsby. I don't think it belongs in the show. But I guess we have to see how it evolves. Yes they are both good looking people, but that doesn't always lead to a workplace relationship.

When Jane caused the fight at the reunion, I was laughing. But I started crying when Cho was interrogating the guy from the lumber place. I love his dry acerbic whit. He barely ever cracks a smile and he can deliver a line.

I love how Jane (Simon Baker) has no filter of what's in his head to what comes out of his mouth. Usually makes me laugh at what he can get himself in to with other people and has no means of physically defending himself. But the character does know how to get serious when it comes to Red John.


CBS
Thursday, Jan. 14, 2010
10:00 PM PST

BONES "The X in the File"

This was a great comeback after the holidays episode. So many shows have failed me so far this week, but not this episode. A guy finds a dead body in the desert of Roswell, NM and believes it's an alien, which leads to all sort of cooky characters.

At the same time Angela and Wendell make their relationship known to Hodgins, who claims he's okay with it, but is he really? Is it about them or him?

One of the best characters was Sheriff Jerry Bonds in New Mexico, played by Ben Giroux, who was so good. Timing and cadence was great. He worked off of David Boreanaz and Emily Deschanel. He did the smart aleck thing really well.


FOX
Thursday, Jan. 14, 2010
8:00 PM PST

Wednesday, January 13, 2010

CRIMINAL MINDS "The Uncanny Valley"

Really good episode which hi-lighted Spencer's (Matthew Gray Gubler) abilities. His character had more levels of emotion. Don't get me wrong, I actually love his awkwardness, his social ineptitude. But I really liked this side of him. It wasn't overly emotional, but you could tell that what was happening to the mentally disturbed woman got to him.

I like how the character's mind works... very methodical.


CBS
Wednesday, Jan. 13, 2010
9:00 PM PST

LEVERAGE "The Runway"

I am usually head-over-heels for this show, but not tonight. I don't now if it's because Sophie (Gina Bellman) is gone, for all intensive purposes. I mean, those moments on the video aren't enough.

But this show was just boring. Not to minimize the very real problem with sweat shops and people using the foreign and disadvantaged for the own nefarious purposes. But the on going repartee was missing. Everyone seemed somber in their roles. there's usually more interaction with the others doing a lot of physical work. Elliot had one fight that was just so-so, Parker did nothing but walk the runway and fall off of it and Hardison didn't see the light of day. He was either in Nates apartment or in the van. BOOOOORRRRRIIIIINNNNNNG!

Jeri Ryan, I liked her when she was 7 of 9 and on the series, Shark. But this isn't the show for her.

I LUV this show and this episode wasn't even close to the quality I've come to expect. And I must say I was anticipating it's return with baited breath, which was obviously a waste of time.

All I can say is, if there was a writer, producer, show runner or someone who left that made this show what it was..... GET HIM/HER BACK! If it's not that, then shame on them for putting out such a boring episode to such a great show, especially on it's winter season return. If they had embedded it later in the season, maybe. For the return. Not good.

All I can say is, hasn't Gina had that kid yet. Hurry up and get back to the show. They need you.


TNT
Wednesday, Jan. 13, 2010
10:00 PM PST

Monday, January 11, 2010

CASTLE "A Rose for Everafter"

This episode opens with a bride-to-be (played by Alyssa Milano) finding one of her bridesmaid's dead stuffed into the armoire in her hotel room.

Cut too, Alexis taping Castle to a chair because he wants to get into the character of Nicky Heat and figure out how she would get out of the situation. Of course as soon as Alexis and her grandmother, Martha, leave the apartment Beckett calls.

While Beckett and her team start to investigate the murder, Castle uses the garbage foot peddle to yank the tape off of his mouth by catching a piece on the lid and lifting the top. So funny, I was laughing out loud.

This is the first time that the show has made it clear that they intend to show a romantic connection between Beckett and Castle.

I love the writing and the banter between Esposito and Ryan (played masterfully by Jon Huertas and Seamus Dever). The one thing I did miss in this episode was the familial interaction between Castle and Alexis. It was cute at the beginning of the episode, but she wasn't seen again for the remainder. Alyssa Milano an Nathan Fillion were great together, making me miss the days of Alyssa on television.

I've been anticipating the return of this series since before the holidays. I LOVE, LOVE LOVE, this show. This was probably the weakest of the shows so far, but I still Love it.


CBS
Monday, Jan. 11, 2010
10:00 PM PST

FRINGE "Unearthed"

Lisa, a high school junior, collapses during gym class and slips into a coma. Her mother decides to take her off life support. As the doctors are harvesting her organs, she wakes up on the table and starts shouting alpha numeric numbers that turn out to be the i.d. information for a petty officer, Andrew Rusk, and the launch codes for the missiles on an Navy aircraft carrier. The petty officer has been missing for several days. When they start asking Lisa questions, she starts speaking in Russian. Lisa can also see Rusk in reflections n the mirror.

Walter wants to test Lisa's brain. He believes there a possibility that an aneurism did something to her brain and caused her to have psychic abilities and somehow she's connected to Rusk. Lisa calls Olivia and tells her that she keeps seeing a junkyard and had to go there. Lisa tells them that Rusk was killed by someone and they find his body in the trunk of one of the cars in the junkyard.

Walter realizes that Rusk's memories and energies have moved into Lisa, which leads Olivia to believe that his illness has transfered to her also. Rusk had radiation poisoning which is why Lisa is having seizures.

Turns out that Rusk's wife had him killed. She told a guy at the bar where she works that he had been beating her. Rusk takes over Lisa's body and goes after his wife.

I'm extremely confused. Charlie (Kirk Acevedo) is in this episode. Is this an episode out of order? Wasn't he killed by the shapeshifter from the other dimension in the episode entitled "Momentum Deferred"? What is going on?

Although I love this show, this stand alone, out of context of the rest of the series is very odd. It's like it was a throw away episode.


FOX
Monday, Jan. 11, 2010
9:00 PM PST

HOUSE "The Down Low"

An undercover narcotics cop is taken to the hospital after passing out from a loud noise. He won't tell the team anything about himself in order to save the bust. The problem is, he's dying.

Thirteen, Taub and Chase make Foreman think that they are making more money than he is until the prank goes too far and they believe he's about to leave, only it was a prank on his end also. But not before they offer to have money taken out of their salary to pay for Foreman's raise.

Wilson likes a woman in their new building, but she thinks he and House are gay. House plays it up in order to screw with Wilson and sleep with the woman himself

This was a particularly good episode with the relationship between Ethan Embry and Nick Chinlund's characters. The Cop and the Drug dealer. They've grown close and are connected even though they believe completely different things. Ethan's dying scene was really well done.

The diverse plot lines in this show is what makes it so amazing, along with the superb action done by Hugh Laurie.


FOX
Monday, Jan. 11, 2010
8:00 PM PST

Saturday, January 9, 2010

DEMONS "The Whole Enchilada"

Kids are being taken by Gilgamel, a demon under the guise of an angel feeding off the their innocence. When the first child goes missing, everyone thinks she was taken by a stranger or her parents did something to her, even though her six-year-old little sister keeps telling everyone one that she went off with an angel. Other children go missing and Luke has to find this demon, but is only able to do so using an ancient relic that gives off the scent of saints. When Ruby's mischievous little bother, Jamie, gets the scent on him and is taken, they all must go after Gilgamel before the children are lost forever.

This episode was a little better, but the background music blending into the dialogue is still a problem. There are just words I can't understand no matter how loud I turn up the television or how many times I rewind the moment to hear it again. It's just poor production value. And the action sequences remind me of old episodes of BeastMaster, and not as good.

Maybe one more episode and then it's going to be knocked off the series recording list. It must improve for me to waste my time. And I don't ask for much.


BBC AMERICA
Saturday, Jan. 9, 2010
6:00 PM PST

Friday, January 8, 2010

GHOST WHISPERER "Dead Air"

When Ned gets his own radio show on the college radio staton, Delia's not the only one who's unhappy with what he's doing. A ghost is attached to the show and causing havoc with Ned's life.

Really good episode about loving yourself and thinking positively instead of needing love from someone else to validate yourself and fearing worst all the time.

The scene where the bones on the table reanimate to show a fully formed (yet injured) man, banged up and looking like he's trying to get out of a trapped space was really cool. I haven't seen the show do anything like that before. Well done.


CBS
Friday, Jan. 8, 2010
8:00 PM PST

DOLLHOUSE "Getting Closer"

This show is so confusing, which has to be the reason it's nearing it's end.

In this episode, DeWitt has Paul kidnap Bennett in order to illicit her help in reconstruction Caroline's damaged wedge. Paul is back with a reconstructed memory, where his feelings for Echo/Caroline are missing. While kidnapping Bennett, Paul rescues Mellie, who's been wiped again by Rossum. Dr. Saunders has been staying with Boyd all this time, but comes back only to kill Bennett in front of Topher, it seems to keep her from finishing the reconstruction of Caroline's file. Dominick comes out of the attic in tact, when in a previous episode, they make it very clear that this is not something that anyone can do. Echo was able to do it because she's special and she had to help Victor and Sierra so they wouldn't die.

There are several things that cause pause and problems for me in this show. One; why is Dewitt helping them when, from the flashbacks, we can see that Caroline was the bane of her existence and she's the one who sent Caroline up to the head office in the first place.

Two; The selective memory that Bennett had about what Caroline did to her. We clearly see from, again the flashbacks, that Caroline allowed herself to be caught in order to save Bennett. But this is enough to want her to suffer and be in pain. Yes, she lost the use of her arm, but Caroline did tell her to get out. Tried to abort the mission. Didn't want to hurt innocent lives. The dynamic there is strange.

Three; Topher has been working at this facility for, God knows how long, and all of a sudden he has a conscience about what he's been doing... For Years!

Four; i always thought that there was something strange about Boyd's involvement in the Dollhouse. First he seems to be conflicted about what they do at the Dollhouse, then he's resigned to running the security side of things once Dominick has been placed in the attic, only to find out he's one of the two heads of Rossum.

Five; I've always disliked the idea that the Dolls in the House were pretty much used as sex slaves without their knowledge. It's like prostitution on a very high scale.

If the show had been about using one girl with an extraordinary mind to go on police missions, undercover, maybe like a mind melding, bionic, Alias types show, I may have responded better. But the ongoing sex for rich people turned me off early on. I was surprised it was picked up for a second season.

I seriously hope that they pull this all together to make sense, because it seems all over the map. More interesting than its humble beginnings at this point, but still strange. And although I'm a television addict, I would hate to think that I've wasted time watching something that ends with no real closure or no real message.

But hey, it's happened before.


FOX
Friday, Jan. 8, 2010
9:00 PM PST

Thursday, January 7, 2010

COUGAR TOWN "Rhino Skin"

I was kind of excited to watch the first time reunion of Courtney Cox and Lisa Kudrow on television since FRIENDS. I was hoping it would be fantastic, but it was just okay. I've seen better episodes of this show, but I'm not overly thrilled by this series.

I have to say that one of the interestingly funny parts of the series in general is Barb, who pops up and is very much a cougar. I liked when she said in tonight's episode, that she would see Jules and Ellie when the she "emerges from her chrysalis."

I know the show or Courtney has been nominated for a Golden Globe, but I'm still not getting it.


ABC
Wednesday, Jan. 6, 2010
9:30 PM PST

Wednesday, January 6, 2010

MODERN FAMILY "Up All Night"

This episode was hysterical, especially when Phil starts suffering from a kidney stone and goes back and forth between saying he's fine and then acting like the world is ending from the pain. When he tells Luke he may need to know the pin numbers to everything because he may end up being the man of he house because he was all drugged up. All this from a kidney stone?

I also loved it when Jay said Manny's father, Javier (Benjamin Bratt) was using his remote control, like he could hear it from the upstairs bedroom. Javier, manipulating Jay was so funny with Gloria getting hysterical.

And I was laughing so hard, I was crying when Cameron's got Lily on his lap watching SCARFACE. Mitchell trying to get Cameron to let her cry through the night. The destruction of the house with Mitchell on Cameron's back and Lily is just screaming her heard off was beyond. I'm sure it happens between parents all the time, where one wants to raise the child more strictly than the other. The writers just pulled it off in a very entertaining way. At the end when Cameron eludes to calling the fireman to see the cute guys and and once Mitchell catches on he has to change his shirt. Just funny!

The show was so good tonight. I don't normally watch it, because I watch enough and there are only so many hours in the day. But I'm glad I caught this episode.


ABC
Wednesday, Jan. 6, 2010
9:00 PM PST

THE GOOD WIFE "Infamy"

I wish I had been blogging when this show first aired. I started watching thinking I would watch a few episodes, it would be a typical law show, then I would remove it from my DVR series recording option. I haven't done it yet and I'm not going to. The complexities of a wife in the public eye having deal with everyone knowing her business, going back to work after many years, adjusting to a different living space, dealing with the hierarchy in work-place issues, not being around for her children and not know what they are doing and what they are keeping from her. Most of the show deals with what many working women have to deal with, adding that her husband is in prison and was a prominent person in the community and losing all the friend she had before. Lots of levels of everyday life for many with the she upping the anti. I think its fabulously written.

In this episode, Alicia (played masterfully understated and immersive is Julianna Margulise) is asked to co-represent the wife of her husband's arch enemy, Childs (Titus Welliver), in their divorce. When Childs comes into Alicia's office telling her that it's her fault his wife is divorcing him, I couldn't believe it. Leave it to a narcissist, to thin that it's someone else's fault. And what is Alicia supposed to do, decline to represent the woman. For what reason? She's a paying customer. Because he's now the States Attorney? That means nothing. His marriage is subject to being as screwed up as anyone else's.

The one thing that I got a little excited about is when Childs mentions the packages that have been left at Alicia's home. One; he's going on and on about his family and his children. Did he not think leaving packages at the Florrick home may be inappropriate, where her teenage children could have access to them? She's at work all day, how does he know for sure she's getting them? Two; I know Zach and Grace are confused by what's happening in their lives, but as children, and yes they are children, they are involving themselves in adult situations. I know they think they are helping their mother, but they are just making things worse. Alicia knows nothing of the material that's been left at her home and her mother-in-law has thrown everything away in a previous episode. So there's no way she will ever see it unless it's left for her again.

When Alicia feels like she's being used as the hand holder to clients in the company, I could identify. I think many people feel they are pigeon hold in a company because they do something very well and their colleagues don't give them room to grow in other areas that may be interesting. It's a tough position to be in. You don't want to complain, but yet you want to be seen for more than what is easiest.

Great writing, great characters, great storylines, great acting. All around great!


CBS
Tuesday, Jan. 5, 2010
10 PM PST

Sunday, January 3, 2010

DEMONS "They Bite"

I generally love BBC series. Some of my favorites have starred Robson Green, TOUCHING EVIL was one of the best as well as WIRE IN THE BLOOD. I'm a big fan of PRIMEVAL, although sad that Douglas Henshall decided to leave. But I do believe that Jason Flemyng is making it his own and with a bit of a funny action hero bent to it. Don't get me started on them changing the storyline midway through the first season and killing the budding romance between the two lead characters, but I digress.

In DEMONS, young Luke's world is thrown into chaos and adventure when his true identity is discovered by the "Inhuman's" or "Freaks," a different species that lives in the half-life. Luke discovers that he's the descendant of the Van Helsing line. He has abilities that most people don't, like heightened reflexes and extra strength. Luke's godfather, Rupert, shows up out of nowhere to tell him who he is and that its time for him to take up the fight. He has no choice since the freaks will be after him for what they think he may do. Luke blows Rupert off at first, not believing any of it because he's not ready for his life and plans to change. Once an inhuman arranges an attack and kidnaps Luke's friend Ruby, he takes up the fight, finding he enjoys it and has an affinity for it.

There's also Mina Harker, a blind, famous concert pianist and the descendant of Jonathan Harker, Van Helsing's assistant. She is the keeper of The Stacks, the Van Helsing Library, under the streets of London and full of writings on the inhuman's and weapons to fight them. She may not be able to see, but she has second sight. When she touches something she gets flashes of where people are, who they are and their intentions.

I like to give a show its time to make it or break it with me and I will give this one it's time, but I have to say I have two major issues with the show.

One: There's this constant mood music under the dialogue of the show. I know they use it to give the series weight and depth, but it's too much. So much that I can't understand half of the dialogue because the music is either too loud for the moment or they haven't filtered it properly so that the speaking voices and the music aren't on the same frequency. Sometimes the music and the speaking voices just meld together.

Two: Rupert talks about the inhuman's in almost religious terms. He says it's his and Luke's job to "smite" them. He also tells one of the freaks that he will turn over Ruby or "forever know his wrath." Is this a religious war? If so, then why wasn't this explained. If it's not a religious war, what's with the righteous dialogue. Rupert basically makes a blanket statement that all inhuman's are bad and must be killed. Why are they all bad? Is it genetic, is it in their nature, is it part of some natural order, why are they here, only for the purpose of being killed by this group? Too many variables in this.

There are other issues to the story and this episode specifically. Rupert goes in weapons blazing to save Ruby, not knowing how Ruby is being held or in what condition. The inhumans could have set it up where if one of them dies, Ruby would die. But no one seems to take that into consideration. It's as if he can kill them and know where to find her. I know Mina has abilities, but it's just too big of an assumption when it comes to someone's life. Rupert's also not very good at what he does. Twice he's thrown on his butt by one of them. I know he says in one bit, that's he's "getting too old for this," but he should be able to fight some. I mean, how has he survived all this time if he keeps getting knocked down. At the end of the show, Rupert gives Luke a phone and tells him to keep it with him at all times, but when Rupert gave Ruby his number, in case something happens, he left his in the car allowing her to be kidnapped by the freaks. I mean, COME ON! He just drops the girl off and doesn't walk her to her door after knowing that the inhuman's know who she is and that she's connected to Luke? No one thought that they could use her to get to him or follow her home?

Ruby is a barking mess. She whines, she complains and she has this mad crush on Luke where she is jealous of any other girl in his path, but is too self-conscious to say anything to him about it. That doesn't keep her from spitting venom towards any woman she thinks could be a threat. It makes no sense. If she can be territorial when another woman is around then tell the guy you like him and let the chips fall where they may. She's really nasty to Mina, using her blindness to made snide remarks.

The show needs to work on their special effects a bit. When Luke comes to Ruby's defense on the first attack by the inhuman's, the show tries for slow motion action fighting sequences, but it doesn't quite work. It seems as of Luke is very awkward in his movements. Something similar happens when the Inhuman who's kidnapped Ruby jumps from a height. The slow motion is a little off and he's wobbling in the air.

Then there's the corny dialogue that's supposed to be funny, like when Rupert tells Luke to "use The Force, Luke" when trying to open The Stacks using the watch and a series of rotating locks, which Luke seems to instinctively knows how they work. Sometimes corny is fun, but only if the rest of the show works.

I would have appreciated the show more if they had taken things a little slower and made a few more explanations, instead of just jumping in and not telling us the story. As I said before, I like to give a show it's due and I will give this one a few more episodes. I think I can already see the writing on the wall, though... FAIL


BBC America
Saturday, Jan. 2, 2010
7:00 PM PST

Saturday, January 2, 2010

I LUV ANIME

I'm currently in watching BLEACH, which I have to admit, took me a while to get in to. I actually started watching it on Adult Swim (Cartoon Network), I believe, in the second season. I ended up catching up with reruns that they, thankfully, ran at the end of the second season so I caught up pretty quickly. I love Ichigo's transformation over time. He went from being a soft hearted kid who could see spirits and was a little awkward, to being a complete warrior and defender of his friends. My only complaint is that the seasons are short and the episodes aren't long.

There are so many that i've loved, but I am only going to list some of my favorites here:

This is my all-time favorite, EXO-SQUAD. I remember it from the early 90's when I first started watching sci-fi fantasy cartoons. This is considered a cartoon and not anime, because it was done in America for American television. But it was done in early anime style. The story was similar in theme to the 80's mini series and current readapted series V. Neosapiens, genetically engineered to be a slave race on their planet, arrive on Earth to to try to take over and make it their home with humans as the slaves. A a small group of humans and Neospaiens fight using Exo Suits that they control by being jacked in to the suits at the base of the skull. Think, people jacked inside Transformer robots.

My next favorite is the short lived WOLF'S RAIN, but full series, about wolves, who have survived the apocalypse and have developed the ability to telepathically make human's believe they are human as well. But one wolf doesn't want this for their lives. He wants to live as he was and believes they shouldn't be among the humans in society.

Beautiful to watch and poetic in a lot of ways.

When FULLMETAL ALCHEMIST ended, I was sad. I thought it was great writing, great adventure and the brotherly dedication between Edward and Alphonse was special to the story. I loved the mix between old and new, making the show very steampunk. It was fun when the series took them to an alternate reality where there was no sorcery and magic. They were able to see how they would grow like regular boys. How their lives could be versus how it was.

MOBILE SUIT: GUNDAM SEED is probably the most full sweeping of the anime series that I like. It show's how economics, bigotry and one act of violence can throw an entire planet and it's people into turmoil. The Naturals are basically afraid and a little jealous of the Coordinators, genetically enhanced and selected before birth. Causing a full out war when The Naturals believe the Coordinators are going to take over. My only problem with this series is that it ended on television before the series ended and the complete sequel is hard to get on DVD. I've yet to be able to see the full story.

This is the series based on the Anime film BLOOD: THE LAST VAMPIRE, where Saya has come out of hibernation after many years. She is being raised by a man with his two adopted sons. She has no memory of who or what she is until she's attached, at school, by a shape shifting chiropteran. Her surrogate father is later killed and she and her adoptive brothers are taken in and trained by her previous handlers while she slowly tries to recover her memories. Great action, great music and really cool story. I highly recommend watching the original animated film, the series and even the live action version of the animated film.

There are many other anime series I could recommend, and may in the future, but these are my favorites.

DOCTOR WHO: The End of Time, Part two.

I just finished watching the final episode of Doctor Who starring David Tenant, and I have to say it made me cry a little bit.

It turns out that The Doctor was actually responsible for the extinction of the Time Lords and his planet. Seems they'd gotten a little full of themselves and decided that they could ascend and become deities, subjugating the entire human race, if not the universe. Timothy Dalton plays Lord President, who made this decision the day they knew their planet and race would be wiped out by The Doctor, using The Master to bring them back through time and space. The Doctor, who never likes to chose to take a life after what he had to do to his planet and people, choses again, not to take a life. The Master steps up and defeats The Narrator, killing himself in the process. But, The Doctor has to save Willie (Donna's grandfather) from the nuclear fallout from The Master's time machine.

The Doctor is going to regenerate and goes to visit everyone from his past. Martha Jones, who's now married to Rose's Mickey. Rose, before she met him and ended up in an alternate dimension, Sara Jane and Luke, Jack Harkness in some bar on a planet and introduces Jack to an Ianto look-alike named Alonso and finally back to Donna Noble on her wedding day, bringing her the gift of a lottery ticket from a father who died years before.

The singing from the Oods at his end and transformation was beautiful.

I have to say that even though Christopher Eccleston was actually my favorite Doctor, David Tenant did make it his own and very enjoyable. To the point that I found myself tearing up at his end, his transformation, his declaration of, "I don't want to go."

I have to say, I don't remember Eccleston's transformation being so destructive to the Tardis. But that could just be time messing with me a bit.

I'm looking forward to seeing if and how David Tenant will translate here on U.S. Television with the new NBC series, Rex Is Not Your Lawyer. Slated to start airing in the fall of 2010.